{"id":92,"date":"2023-09-27T10:50:45","date_gmt":"2023-09-27T01:50:45","guid":{"rendered":"http:\/\/localhost:8088\/bbs\/board.php?bo_table=exhibitions&wr_id=0"},"modified":"2026-10-18T03:06:22","modified_gmt":"2026-10-17T18:06:22","slug":"92","status":"publish","type":"gs_exhibition","link":"https:\/\/galleryshilla.com\/bbs\/board.php?bo_table=exhibitions&wr_id=223","title":{"rendered":"\uc81c\uc778 \ubca4\uc2a8"},"content":{"rendered":"","protected":false},"template":"","meta":{"gs_data":{"name_ko":"","name_en":"","display_title":"","start_date":"2023-10-14","end_date":"2023-11-11","venue":"Gallery Shilla, Seoul (\uc0bc\uccad\ub85c111)","bio":"","press_ko":"\uac24\ub7ec\ub9ac \uc2e0\ub77c\ub294 \uc624\ub294 10\uc6d4 14\uc77c\ubd80\ud130 11\uc6d4 11\uc77c\uae4c\uc9c0 \ub2e4\ud559\uc81c\uc801 \uc608\uc220\uac00 \uc81c\uc778 \ubca4\uc2a8\uc758(Jane Benson, 1976~) \uc2e0\uc791 \uc804\uc2dc\ub97c \uc9c4\ud589\ud55c\ub2e4. \uc81c\uc778 \ubca4\uc2a8\uc740 \uc870\uac01, \uc0ac\uc6b4\ub4dc, \ub4dc\ub85c\uc789, \ud310\ud654 \ub4f1 \ub2e4\uc591\ud55c \uc608\uc220 \ud615\uc2dd\uc744 \ud65c\uc6a9\ud558\uc5ec \ubb38\ud559\uacfc \ud30c\uc6b4\ub4dc \uc624\ube0c\uc81d\ud2b8(Found Object)\uc5d0 \uac1c\uc785\ud558\ub294 \uc791\uc5c5\uc73c\ub85c \uc8fc\ubaa9 \ubc1b\uace0 \uc788\ub294 \uc544\ud2f0\uc2a4\ud2b8\ub2e4.\r\n\r\n\uc774\ubc88 \u300aDodo Note\u2026\u300b \uc804\uc2dc\uc5d0\uc11c \uc791\uac00\ub294 \ubbf8\uad6d\uc758 \uc790\uc5f0 \uc0dd\ud0dc \uc800\uc220\uac00 \ub370\uc774\ube44\ub4dc \ucf80\uba58(David Quammen)\uc758 \uc5d0\uc138\uc774\uc640 18\uc138\uae30 \uacc4\ubabd\uc8fc\uc758 \ucca0\ud559\uc790 \ud640\ubc14\ud750(Baron d\u2019Holbach, 1723~1789)\uc758 \ud14d\uc2a4\ud2b8\uac00 \uc8fc\ub294 \ud604\ub300\uc801 \uacf5\uba85\uc744 \ud0d0\uad6c\ud55c \uc2e0\uc791\ub4e4\uc744 \uacf5\uac1c\ud55c\ub2e4. \uc791\uac00\ub294 \uc778\ub958\uac00 \uc790\uc5f0\uacc4\uc5d0\uc11c \ucd94\ubc29\ub2f9\ud55c \uc774\uc720\ub97c \ud0d0\uad6c\ud55c \uc5ec\ub7ec \uc2dc\ub300\uc758 \ud14d\uc2a4\ud2b8\uc5d0\uc11c \u2018\ub3c4, \ub808, \ubbf8, \ud30c, \uc194, \ub77c, \uc2dc\u2019\uc640 \uac19\uc740 \uc74c\uacc4\uc758 \uc74c\uc808\uc744 \uc81c\uac70\ud558\uc5ec \ubb38\ud559 \uc791\ud488\uc744 \ud574\uccb4\ud558\uace0 \uc7ac\uad6c\uc131\ud558\uc5ec \uadf8 \uc548\uc5d0 \ub0b4\uc7ac\ub41c \uc545\ubcf4\ub97c \ub4dc\ub7ec\ub0b8\ub2e4. \uc791\uac00\ub294 \ubc1c\uad74\ub41c \uc545\ubcf4\ub97c \uc544\uc774\uc791 \ub274\ud134\uc758 \uceec\ub7ec \ud544\ub4dc \uc2a4\ud399\ud2b8\ub7fc(Color Field Spectrum)\uacfc \uc720\uc0ac\ud55c \uc784\uc758\uc801\uc778 \ubd84\uad11\ubc95\uc744 \uae30\ubc18\uc73c\ub85c \uae30\ud558\ud559\uc801 \uceec\ub7ec \ud544\ub4dc \ud504\ub9b0\ud2b8\ub85c \ubcc0\ud658\ud55c\ub2e4. \ub2e4\uc591\ud55c \uc0c9\uc0c1\uc758 \uc810 \ub808\uc774\uc5b4\ub294 \uc12c\uc138\ud55c \ubaa8\uc544\ub808 \ud6a8\uacfc(\ubb3c\uacb0\ubb34\ub2ac, Moir\u00e9 Effect)\ub97c \ub9cc\ub4e4\uc5b4 \uc774 \ud601\uc2e0\uc801\uc778 \ud14d\uc2a4\ud2b8\ub97c \uc2dc\uac01\uc801\uc73c\ub85c \uad6c\ud604\ud55c\ub2e4. \r\n\r\n\uc791\ud488\uc758 \uc81c\ubaa9\uc778 \u2018\ub3c4\ub3c4\uc0c8\uc758 \ub178\ub798(The Song of Dodo)\u2019\uc640 \u2018\ub2e4\uac00\uc624\ub294 \uac83(The Coming Thing)\u2019\uc740 \uba78\uc885\uacfc \uc9c4\ud654\uc5d0 \uad00\ud55c \ub370\uc774\ube44\ub4dc \ucf80\uba58\uc758 \uac10\ub3d9\uc801\uc778 \uc5d0\uc138\uc774\uc9d1\uc5d0 \uc218\ub85d\ub41c \uc5d0\uc138\uc774 \uc81c\ubaa9\uc774\ub2e4. \uc791\uac00\ub294 \ub3d9\uba85\uc758 \uc791\ud488\ub4e4\ub85c \uacbd\uc758\ub97c \ud45c\ud558\uba70, \uadf8\uc758 \uc5d0\uc138\uc774\uc5d0\uc11c \ud14d\uc2a4\ud2b8\ub97c \ubc1c\uad74\ud558\uc5ec \ucf54\ub4dc \ub610\ub294 \uc0c8\ub85c\uc6b4 \uc5b8\uc5b4\ub85c \ubcf4\uc774\ub294 \ubd80\ubd84\uc744 \uc0ad\uc81c\ud55c \ud398\uc774\uc9c0\ub97c \uc9c1\uc811 \uc190\uc73c\ub85c \uc801\uc740 \ubcf5\uc81c\ud488\uc744 \uc120\ubcf4\uc778\ub2e4. \uadf8\ub9ac\uace0 \ud55c \ub2e8\uacc4 \ub354 \ub098\uc544\uac00, \uc791\uac00\ub294 \uc18c\ub9ac\ub97c \ub9cc\ub4e4\uae30 \uc704\ud574 \uadf8\ub9ac\uace0 \uceec\ub7ec\ud544\ub4dc\uc640 \uadf8\ub808\uc774 \uc2a4\ucf00\uc77c \ud504\ub9b0\ud2b8\ub97c \ub9cc\ub4e4\uae30 \uc704\ud574, \uccb4\uacc4\uc801\uc778 \uac1c\uc785\uc744 \ud1b5\ud574 \ud14d\uc2a4\ud2b8\ub85c\ubd80\ud130 \uc545\ubcf4\ub97c \ub3c4\ucd9c\ud55c\ub2e4. \uc774\uc804 \uc2dc\ub9ac\uc988\uc640 \ub2ec\ub9ac, \uc774 \uc0c8\ub85c\uc6b4 \ud504\ub9b0\ud2b8\ub294 \uac04\uacb0\ud55c \ucd94\uc0c1\ud654\ub85c\uc368, \ubcbd\uc5d0\uc11c\ubd80\ud130 \ubd80\ub4dc\ub7fd\uac8c \uad6c\ubd80\ub7ec\uc838 \uc870\uac01\uc801\uc778 \ubd80\uc870\uc758 \ud615\ud0dc\ub85c \ucc38\uc870\ub41c \ud14d\uc2a4\ud2b8\uc640\ub294 \ub3c5\ub9bd\uc801\uc73c\ub85c \uc804\uc2dc\ub41c\ub2e4. \uc774 \uc545\ubcf4\uc640 \ucd94\uc0c1\ud654\ub294 \uad00\uac1d\uc744 \ubc88\uc5ed \ud589\uc704\uc5d0 \ucc38\uc5ec\ud558\ub3c4\ub85d \uc720\ub3c4\ud558\ub294 \ub3d9\uc2dc\uc5d0 \uc9c0\uac01 \ud589\uc704\ub97c \ub290\ub9ac\uac8c \ud558\uc5ec \uc0ac\uc0c9\uc744 \uc704\ud55c \uacf5\uac04\uacfc \uc2dc\uac04\uc744 \ub9cc\ub4e4\uc5b4\ub0b8\ub2e4. \ubca4\uc2a8\uc5d0\uac8c \uc774 \ub9d0\ub3c4 \uc548\ub418\ub294 \uc2dc\uc2a4\ud15c\uc740 \uc778\ub958\uc640 \uc790\uc5f0\uacc4\uc758 \uc9c0\uc18d\uc801\uc778 \uad00\uacc4\uc758 \uc2e4\ud328\ub97c \ubc18\uc601\ud558\ub294 \uac83\uc785\ub2c8\ub2e4. \r\n\r\n\ubca4\uc2a8\uc740 \ud68d\uae30\uc801\uc778 \uc81c\uc2a4\ucc98\ub85c \uc74c\uacc4\uc758 \uc74c\uc808 \uc0ac\uc774\ub97c \uc798\ub77c\ub0b8 \ubd80\ubd84\uc801\uc778 \uad6c\uc808\uc744 \uc0ac\uc6a9\ud558\uc5ec \ucd5c\uc18c\ud55c\uc758 \uc0ac\uc6b4\ub4dc \uc870\uac01\uc744 \ub9cc\ub4e0\ub2e4. \uc18c\ub9ac\ub97c \uc804\ub2ec\ud558\ub294 \uc2a4\ud53c\ucee4\uc640 \uc640\uc774\uc5b4\ub9cc\uc744 \uc0ac\uc6a9\ud558\uc5ec \ub9cc\ub4e0 \uc774 \uc870\ud615\ubb3c\uc740 \uc0c8\ub85c\uc6b4 \ucc28\uc6d0\uc758 \ud3c9\uba74\uacfc \ubaa8\uc591\uc744 \ub9cc\ub4e4\uc5b4 \uad00\uac1d\uc774 \uc788\ub294 \uacf5\uac04\uc744 \uc7ac\uc815\uc758\ud55c\ub2e4. \ubc1c\uacac\ub41c \uad6c\uc808\uc758 \uae38\uc774\uc5d0 \ub530\ub77c \ud3c9\uba74\uc758 \uce21\uba74 \uae38\uc774\uac00 \uacb0\uc815\ub418\uba70, \uac01 \uad6c\uc808\uc758 \uc2dc\uc791\uacfc \ub05d\uc5d0\uc11c \ubc1c\uacac\ub41c \uc74c\uc808\uc774 \uc18c\ub9ac\ub97c \ub9cc\ub4dc\ub294\ub370 \uc0ac\uc6a9\ub41c\ub2e4. \uc774\ub807\uac8c \ubc1c\uacac\ub41c \uc74c\uc808\/\uc74c\ud45c\ub97c \uc774\ud6c4 \uc74c\uc545\uac00\uc774\uc790 \uc791\uace1\uac00\uc778 \uc54c\ub809\uc2a4 \uc6cc\ud130\ub9e8(Alex Waterman)\uc774 \uccbc\ub85c\ub85c \uc5f0\uc8fc\ud55c\ub2e4. \uc774 \uc0c8\ub85c\uc6b4 \uc0ac\uc6b4\ub4dc \uc870\uac01\uc758 \ud615\ud0dc\uc640 \uc18c\ub9ac\ub294 \ubca4\uc2a8\uc774 \ud14d\uc2a4\ud2b8\uc5d0\uc11c \uc798\ub77c\ub0b4\uc5b4 \uc0b0\ubb38\uc73c\ub85c \uad6c\uc131\ud55c \ubb38\uad6c\uac00 \uc81c\uc548\ud558\ub294 \uc6b0\uc6b8\ud55c \ud76c\ub9dd\uc744 \ud3ec\ucc29\ud55c\ub2e4.\r\n\r\ngrazing a frost-cove \r\n\uc11c\ub9ac\uac00 \ub0b4\ub9b0 \ub9cc\uc744 \uc2a4\uce58\ub2e4\r\nall was enormous \r\n\ubaa8\ub4e0\uac83\uc774 \uac70\ub300\ud588\ub2e4\r\noff the trails, up and\r\n\ud2b8\ub808\uc77c\uc5d0\uc11c \ubc97\uc5b4\ub098, \uc704\ub85c \uadf8\ub9ac\uace0\r\n\r\nAnd\r\n\uadf8\ub9ac\uace0\r\n\r\nand not many have\r\n\uadf8\ub9ac\uace0 \ub9ce\uc740 \uc0ac\ub78c\ub4e4\uc774\r\nlead the shallow blue waters\r\n\uadf8\ub4e4\uc911 \uc595\uace0 \ud478\ub978 \ubc14\ub2e4\ub97c\r\namong them \r\n\uc774\ub04c\uace0 \r\n\r\n\ubca4\uc2a8\uc740 \uc545\ubcf4\ub97c \ub179\uc74c\ud558\ub294 \uc791\uc5c5\uc5d0\uc11c \uccbc\ub85c\ub85c \uc774 \uc791\uc5c5\uc744 \uc5f0\uc8fc\ud55c \uc5d8\ub809\uc2a4 \uc6cc\ud130\ub9e8\uc5d0\uac8c \uae4a\uc740 \uac10\uc0ac\ub97c \ud45c\ud55c\ub2e4.","press_en":"Gallery Shilla is pleased to present an exhibition of new work by multidisciplinary artist Jane Benson. Working across sculpture, sound, drawing, and printmaking, Benson is known for interventions that combine, collapse, and cross-pollinate literature and found objects.\r\n\u00a0\r\nThe works on display in\u00a0Dodo Notes\u00a0are investigations into the illuminating\u00a0essays of nature and science writer David Quammen, and\u00a0the contemporary resonances of texts by\u00a0Enlightenment philosopher Holbach. While originating in vastly different historical contexts, these texts similarly attempt to make sense of humankind\u2019s exile from the natural world. Benson dismantles and reconstructs these literary works by excising syllables of the musical scale\u2013\u2013do, re, mi, fa, soh, la, ti\u2013\u2013to reveal found scores embedded within. In a further step, Benson translates the excavated scores into sound and geometric color field prints based on Isaac Newton\u2019s similarly arbitrary Color Spectrum.\r\n\u00a0\r\nThe\u00a0Song\u00a0of the Dodo\u00a0and\u00a0The Coming Thing\u00a0are titles of essays in David Quammen\u2019s stirring collected texts on extinction and evolution.\u00a0Benson\u2019s works, in eponymous homage, excavate Quammen\u2019s texts, presenting hand-written reproductions of the pages with sections cut out to reveal what appears to be a code or new language. The artist applies her systematic intervention to create billowing greyscale prints that possess only a memory of color. In contrast to the earlier series, these new prints are displayed independently from their textual referent as succinct abstractions that gently curve away from the wall to form sculptural reliefs. The scores and the abstractions invite the viewer to join in the act of translation, while slowing down the act of perception to create space and time for reflection. The nonsensical system is, to Benson,\u00a0a\u00a0reflection of the enduring failure of humankind\u2019s relationship with the natural world.\r\n\u00a0\r\nIn a groundbreaking gesture Benson uses partial phrases, cut away between the syllables of the musical scale, to create minimal sound sculptures.\u00a0Made using only the speaker wire that carries the sound, the sculptures create new dimensional planes and shapes that redefine the exhibition space. The length of the\u00a0found\u00a0phrase dictates the length of the side of the plane, and the syllables found at the beginning and end of each phrase are used in the creation of the sound. These\u00a0found\u00a0syllables\/notes are subsequently performed on the cello by musician and composer Alex Waterman. The form and sound of these new sound sculptures capture the melancholic hope proposed by the phrases Benson cut away from the text and composed into prose. For example:\r\n\u00a0\r\ngrazing a frost-cove\r\nall was enormous\u00a0\r\noff the trails, up and\r\n\u00a0\r\nand not many have\r\nlead the shallow blue waters\u00a0\r\namong them\u00a0\r\nBenson extends her profound gratitude to Alex Waterman with whom she collaborated on this work and performed on the cello in the recording of the scores.\u00a0","source":"","date_label":"","external_url":"","publication_date":"","isbn":"","price":"","dimensions":"","weight":"","pages":"","credit":"","authors":"","description":"","kind":"","contact_html":"","portrait":0,"hero":2328,"biography_pdf":0,"press_pdf":0,"document_pdf":0,"cover":0,"artist_id":0,"inquiry":false,"works":[{"id":2339,"caption":"Jane Benson, Song of the Dodo III","alt":"Jane Benson, Song of the Dodo III"},{"id":2340,"caption":"Jane Benson, Song of the Dodo III(side view)","alt":"Jane Benson, Song of the Dodo III(side view)"},{"id":2341,"caption":"Jane Benson, Song of the Dodo III(detail)","alt":"Jane Benson, Song of the Dodo III(detail)"},{"id":2342,"caption":"","alt":""},{"id":2343,"caption":"","alt":""},{"id":2344,"caption":"So Huge a Bigness (David Quammen) II_cropped","alt":"So Huge a Bigness (David Quammen) II_cropped"},{"id":2345,"caption":"So Huge a Bigness (David Quammen) III_cropped","alt":"So Huge a Bigness (David Quammen) III_cropped"},{"id":2346,"caption":"Drawings","alt":"Drawings"},{"id":2347,"caption":"Drawings","alt":"Drawings"},{"id":2348,"caption":"d about ideas, be-, yond descript:","alt":"d about ideas, be-, yond descript:"}],"installation":[{"id":2329,"caption":"","alt":""},{"id":2330,"caption":"","alt":""},{"id":2331,"caption":"","alt":""},{"id":2332,"caption":"","alt":""},{"id":2333,"caption":"","alt":""},{"id":2334,"caption":"","alt":""},{"id":2335,"caption":"","alt":""},{"id":2336,"caption":"","alt":""},{"id":2337,"caption":"","alt":""},{"id":2338,"caption":"","alt":""}],"extra":[],"participants":[{"id":11,"name_ko":"","name_en":""}]},"footnotes":""},"class_list":["post-92","gs_exhibition","type-gs_exhibition","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/92","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition"}],"about":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/types\/gs_exhibition"}],"version-history":[{"count":3,"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/92\/revisions"}],"predecessor-version":[{"id":3658,"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/92\/revisions\/3658"}],"wp:attachment":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=92"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}