{"id":163,"date":"2017-04-18T10:25:11","date_gmt":"2017-04-18T01:25:11","guid":{"rendered":"http:\/\/localhost:8088\/bbs\/board.php?bo_table=exhibitions&wr_id=0"},"modified":"2026-10-18T03:06:22","modified_gmt":"2026-10-17T18:06:22","slug":"163","status":"publish","type":"gs_exhibition","link":"https:\/\/galleryshilla.com\/bbs\/board.php?bo_table=exhibitions&wr_id=146","title":{"rendered":"\uacfd\uc778\uc2dd"},"content":{"rendered":"","protected":false},"template":"","meta":{"gs_data":{"name_ko":"","name_en":"","display_title":"","start_date":"2017-05-02","end_date":"2017-05-30","venue":"Gallery Shilla, Daegu","bio":"","press_ko":"\uac24\ub7ec\ub9ac \uc2e0\ub77c\uc5d0\uc11c\ub294 \uacfd\uc778\uc2dd \uc804\uc2dc\ub97c \uac1c\ucd5c\ud569\ub2c8\ub2e4. \uc774\ubc88 \uc804\uc2dc\ub294 \ud55c\uad6d \ud604\ub300\ubbf8\uc220\uc744 \ub300\ud45c\ud558\ub294 \uc791\uac00\ub4e4\uc744 \uc7ac\uc870\uba85\ud558\ub294 \uc804\uc2dc\uc758 \uc77c\ud658\uc73c\ub85c 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\uc6b0\ub9ac\ub098\ub77c \ud604\ub300\ubbf8\uc220\uc791\uac00\ub4e4\uc5d0\uac8c\ub3c4 \ud070 \uc601\ud5a5\uc744 \ubbf8\uccd0\uc628 \uadf8\uc758 \uc791\ud488\uc138\uacc4\uc5d0 \ub300\ud55c \ud3c9\uac00\uac00 \ub3cb\ubcf4\uc774\ub294 \ub300\ubaa9\uc785\ub2c8\ub2e4. \uc544\ubc29\uac00\ub974\ub4dc\uc801 \uc791\ud488\uc744 \ud1b5\ud574 \uadf8\uc758 \uc608\uc220\uc131\uc744 \uc0c8\ub85c\uc774 \uc810\uac80\ud560 \uc218 \uc788\ub294 \uae30\ud68c\uc785\ub2c8\ub2e4.","press_en":"We are pleased to inform you about the exhibition by Quac In Sik.\r\n\r\nGallery Shilla hosts Quac In-Sik's exhibition. This exhibition is part of an exhibition that re-interprets the artists who represent Korean contemporary art.\r\n\r\nQuac In-sik (1919-1988) was born in Hyun-Pung, Daegu, Korea and studied at the Japan Fine Arts School in Tokyo, Japan. Recently, his work and art scene has been re-evaluated to have greatly influenced Asian contemporary art. He againsted the traditional from of traditional Japanese art, which is based on traditional paintings,  He expressed with various aspects of space including objects and sculpture art. He performed Japanese avant-grade art. He has been a founding member of the Japan Independent Art Association Exhibition (1937), Japan Iwatari (1949), Yomiuri Aandepangdang (1954), and New Ecole Tokyo (1957) He has participated in the Contemporary Art Exhibition in Korea (1968), the Sao Paulo Biennale (1969), the Contemporary Art Exhibition in Korea (1970) and the Contemporary Art Exhibition in Paris (1971) (1977), and the National Museum of Contemporary Art (1985) in Korea. Quac In-sik was born in 1988, and his memorial exhibition was held at Gallery Q (1989) in Japan.\r\n\r\nQuac In-sik's works can be catagorized into works of paintings in the 1960' s and paintings of Japanese paper in the 70's and 80's. In the 1960s, he created works conflicts with 'Western art' and 'Oriental art'. And he created works with creation and deconstruction repeatedly. From the mid-1960s, he pursued a piece of work that made a formative statement with its unique formative composition by attaching materials such as glass sculpture, stone, wood, iron plate, clay, etc., It was an avant-garde work that sublimates materials such as iron plates, stones and glass into artistic objects, and was intended to criticize the warnings of industrialization society of mass production due to Japan's high economic growth at the time. This series of 'glass series' works have had a great impact on the' Monoha 'group such as Nobuo Sekine and Lee U-fan in the' 70s.\r\n\r\nBy the mid-1970s, he showed a clear, transparent color image of a certain form simplified to a small oval on a traditional Japanese paper. It has created an oriental mystique painting that is developed in a fluid and complex composition. On the other hand, the work of transforming the natural stone and creating a formative expression and the clay for ceramics were used for the freeform shape. From the mid-80s on, the chrysanthemum and chrysanthemum were used in the paintings, and the blanks made of circular or egg-shaped ellipses of a certain size in the white paper are shown. Sometimes it shows a single color or multicolor allover composition that covers the entire canvas, whilst concentrating on one area while leaving whatever is left in the margins. These overlays have a painting depth through superposition rather than a simple circular shape.\r\n\r\nIn this gallery Shilla, over 20 works including paintings and prints will be exhibited by composing works of Quac In-Sik by the age. In particular, the 'Glass Series' works of the 1960s are exhibited. The Japanese critic Minemura Toshiaki left the saying, \"Lee U-fan consciously structured the way of mono logic (object logic) that Quac In-sik structured the way of monologic naturally.\" This is a great opportunity to appreciate his work world, which has had a great impact not only on postwar Japanese contemporary art but also on Korean contemporary artists. It is an opportunity to check his artistry newly through avant-garde works. You can enjoy a lot of viewing at the exhibition.","source":"","date_label":"","external_url":"","publication_date":"","isbn":"","price":"","dimensions":"","weight":"","pages":"","credit":"","authors":"","description":"","kind":"","contact_html":"","portrait":0,"hero":1414,"biography_pdf":0,"press_pdf":0,"document_pdf":0,"cover":0,"artist_id":0,"inquiry":false,"works":[{"id":1419,"caption":"work-85-A, 37x54cm, Paper(Washi), Chinese ink(Sumi), Canvas, 1985","alt":"work-85-A, 37x54cm, Paper(Washi), Chinese ink(Sumi), Canvas, 1985"},{"id":1420,"caption":"Untitled,47x76cm,color on paper laid on canvas, \uc5f0\ub3c4\ubbf8\uc0c1","alt":"Untitled,47x76cm,color on paper laid on canvas, \uc5f0\ub3c4\ubbf8\uc0c1"},{"id":1421,"caption":"untitled-work1,2,146.5x57cm, glass works, 1962","alt":"untitled-work1,2,146.5x57cm, glass works, 1962"},{"id":1422,"caption":"Untitled, 1978, \ud654\uc9c0\uc5d0 \uc218\ubb35\ucc44\uc0c9, 43 x 69.5cm","alt":"Untitled, 1978, \ud654\uc9c0\uc5d0 \uc218\ubb35\ucc44\uc0c9, 43 x 69.5cm"}],"installation":[{"id":1415,"caption":"Installation View, Gallery Shilla, 2017","alt":"Installation View, Gallery Shilla, 2017"},{"id":1416,"caption":"Installation View, Gallery Shilla, 2017","alt":"Installation View, Gallery Shilla, 2017"},{"id":1417,"caption":"Installation View, Gallery Shilla, 2017","alt":"Installation View, Gallery Shilla, 2017"},{"id":1418,"caption":"Installation View, Gallery Shilla, 2017","alt":"Installation View, Gallery Shilla, 2017"}],"extra":[],"participants":[{"id":28,"name_ko":"","name_en":""}]},"footnotes":""},"class_list":["post-163","gs_exhibition","type-gs_exhibition","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition"}],"about":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/types\/gs_exhibition"}],"version-history":[{"count":3,"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/163\/revisions"}],"predecessor-version":[{"id":3691,"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/163\/revisions\/3691"}],"wp:attachment":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}