{"id":126,"date":"2021-12-23T18:37:08","date_gmt":"2021-12-23T09:37:08","guid":{"rendered":"http:\/\/localhost:8088\/bbs\/board.php?bo_table=exhibitions&wr_id=0"},"modified":"2026-10-18T03:06:22","modified_gmt":"2026-10-17T18:06:22","slug":"126","status":"publish","type":"gs_exhibition","link":"https:\/\/galleryshilla.com\/bbs\/board.php?bo_table=exhibitions&wr_id=189","title":{"rendered":"\uad6c\uc790\ud604"},"content":{"rendered":"","protected":false},"template":"","meta":{"gs_data":{"name_ko":"","name_en":"","display_title":"","start_date":"2022-01-01","end_date":"2022-02-05","venue":"Gallery Shilla Seoul (\uc11c\uc6b8 \uc885\ub85c\uad6c \uc0bc\uccad\ub85c 108)","bio":"","press_ko":"\uc791\uac00 \uad6c\uc790\ud604\uc740 \uc11d\ud310\ud654(Lithography), \uc2a4\ud06c\ub9b0 \ud310\ud654(Screen), \ubaa9\ud310\ud654(Woodcut)\uacfc \uac19\uc740 \uae30\ubc95\uc744 \ud65c\uc6a9\ud55c \ud310\ud654 \uc791\uc5c5\uacfc \ud310\ud654 \uae30\ubc95\uacfc \ud55c\uc9c0\uc758 \ubb3c\uc131\uc744 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(\ud64d\uac00\uc774 \ud3c9\ub860 \ubc1c\ucdcc, \ubbf8\uc220\ud3c9\ub860\uac00 \uc804MIT \uad50\uc218 \ucca0\ud559\ubc15\uc0ac \ubbf8\ud559, \uc608\uc220\ucca0\ud559)\r\n\r\n\uc774\ubc88 \uc804\uc2dc\ub294 2020\ub144 \uac24\ub7ec\ub9ac \uc2e0\ub77c \ub300\uad6c\uc5d0\uc11c\uc758 \uac1c\uc778 \uc804 \uc774\ud6c4, \uc11c\uc6b8\uc5d0\uc11c\ub294 \ucc98\uc74c \uc18c\uac1c\ub418\ub294 \ud669\uae08\ubc30\uacbd \ud15c\ud398\ub77c\uc5f0\uc791 \uc804\uc2dc\ub85c, \uc2e0\uc791 \ud68c\ud654 20\uc5ec\uc810\uc774 \uc18c\uac1c\ub420 \uc608\uc815\uc785\ub2c8\ub2e4. \ub9ce\uc740 \uad00\ub78c \ubc14\ub78d\ub2c8\ub2e4.","press_en":"Artist Koo Ja Hyun has printmaking works using techniques such as lithography, screen printing, and woodcutting, as well as experimental works using printmaking techniques and the properties of Korean paper, terracotta work, and gold background tampera. He has been presenting works that actively utilize various techniques and media, ranging from painting works using Ground Tempera. \r\nThe reason why he was able to have such a wide spectrum of capabilities is probably because of the attitude of the artist, who is open to the issues and questions of contemporary art, experimenting with the originality and limitations of the medium, and eventually going beyond the medium to open a new artistic horizon. \r\n\r\nKoo Ja Hyun came across a book introducing contemporary art and Japanese printmaking in the library while attending an art college and decided to study printmaking professionally. Since then, he is a representative artist who has studied and introduced the medium of print in the most systematic way to the Korean art world and is one of the few 'artisans' in print. \r\n\r\nNow is the time to think about when the post-corona era will arrive. In the future, changes will occur in many aspects, and modern civilization will require a fundamental reconfiguration (Re-Configuration). In the late 19th century, when industrialization was in full swing, the Arts and Crafts movement arose around William Morris (1834-1896). Morris cited the loss of respect for the craftsmanship of handicrafts and the sanctity of labor as mechanical mass production became common as the fundamental cause of the dehumanization of modern people in the industrial society at the time. He saw that for modern civilized people to recover the human spirit, the art form based on craftsmanship must be revived. \r\n\r\nIn modern Korea, the evaluation of crafts and artisans is at an insignificant level. However, in the post-corona era, crafts will receive new attention. Zhuangzi (\u838a\u5b50) said that a craftsman cannot pass on a skill to his son because it is a skill learned by the senses of one's own hands. Being united with the target, concentrating on one skill, and honing it is a craftsmanship. Koo Ja Hyun's work can be said to be the result of true asceticism in which the sanctity of labor is concentrated. In the present day, Koo Ja Hyun shows the art pursued by William Morris mentioned above. \r\nHis golden background tempera work requires a high level of immersion and delicacy when working with gold leaf, which is around 0.001mm thick. Even in the slightest wind, this gold leaf looks fragile as it trembles minutely, but it seems to transcend physical weight and density as it rests on a flat surface. \r\nThe direction of Koo Ja Hyun's painting is not the confrontational situation between the pure idea and absolute material of Western abstract painting. Instead, it pursues both the purity of the medium and the characteristics of post-media. It can be said \r\nto be ambivalent and ambiguous, like the materiality of gold, a color and light that is secular and unworldly. \r\n\r\nKoo Ja Hyun says, \"Even if I make a dot, I cannot get an aura and energy without the hard work accumulated over a long period of time. The hard labor that begins with preparing the foundation is a practice to refine the foundation of human beings themselves and is my artistic philosophy.\" The value inherent in his work will be the spirit of art that we have been pursuing for a long time. (Excerpt from Hong Gai's review, art critic, former MIT professor, Doctor of Philosophy, aesthetics, art philosophy) \r\n\r\nThis exhibition is the first exhibition of the golden background tempera series in Seoul since the solo exhibition at Gallery Shilla Daegu in 2020, and about 20 new paintings will be introduced. I hope to see many.","source":"","date_label":"","external_url":"","publication_date":"","isbn":"","price":"","dimensions":"","weight":"","pages":"","credit":"","authors":"","description":"","kind":"","contact_html":"","portrait":0,"hero":1886,"biography_pdf":0,"press_pdf":0,"document_pdf":0,"cover":0,"artist_id":0,"inquiry":false,"works":[{"id":1897,"caption":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Gold leaf, Linen, Tempera on Canvas, 2021","alt":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Gold leaf, Linen, Tempera on Canvas, 2021"},{"id":1898,"caption":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Platinum leaf, Linen, Tempera on Canvas, 2021","alt":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Platinum leaf, Linen, Tempera on Canvas, 2021"},{"id":1899,"caption":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Gold leaf, Cotton, Tempera on Canvas, 2021","alt":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Gold leaf, Cotton, Tempera on Canvas, 2021"},{"id":1900,"caption":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Platinum leaf, Cotton, Tempera on Canvas, 2021","alt":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Platinum leaf, Cotton, Tempera on Canvas, 2021"},{"id":1901,"caption":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Gold leaf, Pigment, Tempera on Canvas, 2021","alt":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Gold leaf, Pigment, Tempera on Canvas, 2021"},{"id":1902,"caption":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Gold leaf, Pigment, Tempera on Canvas, 2021","alt":"Koo Ja Hyun, Untitled, 65.1 x 53.0cm, Gold leaf, Pigment, Tempera on Canvas, 2021"},{"id":1903,"caption":" Koo Ja Hyun, Untitled, 45.5 x 38.0cm, Gold leaf, Korean ink, Tempera on Canvas, 2021","alt":"Koo Ja Hyun, Untitled, 45.5 x 38.0cm, Gold leaf, Korean ink, Tempera on Canvas, 2021"},{"id":1904,"caption":"Koo Ja Hyun, Untitled, Dia 28.5cm, Gold leaf,  Korean ink, Tempera on Canvas, 2021","alt":"Koo Ja Hyun, Untitled, Dia 28.5cm, Gold leaf, Korean ink, Tempera on Canvas, 2021"},{"id":1905,"caption":"Koo Ja Hyun, Untitled, Dia 28.5cm, Platinum leaf,  Korean ink, Tempera on Canvas, 2021","alt":"Koo Ja Hyun, Untitled, Dia 28.5cm, Platinum leaf, Korean ink, Tempera on Canvas, 2021"},{"id":1906,"caption":" Koo Ja Hyun, Untitled, Dia 28.5cm, Gold leaf, Pigment, Tempera on Canvas, 2021","alt":"Koo Ja Hyun, Untitled, Dia 28.5cm, Gold leaf, Pigment, Tempera on Canvas, 2021"}],"installation":[{"id":1887,"caption":"","alt":""},{"id":1888,"caption":"","alt":""},{"id":1889,"caption":"","alt":""},{"id":1890,"caption":"","alt":""},{"id":1891,"caption":"","alt":""},{"id":1892,"caption":"","alt":""},{"id":1893,"caption":"","alt":""},{"id":1894,"caption":"","alt":""},{"id":1895,"caption":"","alt":""},{"id":1896,"caption":"","alt":""}],"extra":[],"participants":[{"id":19,"name_ko":"","name_en":""}]},"footnotes":""},"class_list":["post-126","gs_exhibition","type-gs_exhibition","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition"}],"about":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/types\/gs_exhibition"}],"version-history":[{"count":3,"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/126\/revisions"}],"predecessor-version":[{"id":3672,"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/126\/revisions\/3672"}],"wp:attachment":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}