{"id":119,"date":"2022-08-26T11:00:19","date_gmt":"2022-08-26T02:00:19","guid":{"rendered":"http:\/\/localhost:8088\/bbs\/board.php?bo_table=exhibitions&wr_id=0"},"modified":"2026-10-18T02:52:19","modified_gmt":"2026-10-17T17:52:19","slug":"119","status":"publish","type":"gs_exhibition","link":"https:\/\/galleryshilla.com\/bbs\/board.php?bo_table=exhibitions&wr_id=196","title":{"rendered":"Mono-ha and Attitudes"},"content":{"rendered":"","protected":false},"template":"","meta":{"gs_data":{"name_ko":"","name_en":"","display_title":"","start_date":"2022-09-01","end_date":"2022-10-15","venue":"Gallery Shilla Daegu","bio":"","press_ko":"\uac24\ub7ec\ub9ac \uc2e0\ub77c \ub300\uad6c\uc5d0\uc11c\ub294 \uc624\ub294 2022\ub144 9\uc6d4 1\uc77c\ubd80\ud130 10\uc6d4 15\uc77c\uae4c\uc9c0 \u300c\ubaa8\ub178\ud558\uc640 \ud0dc\ub3c4\ub4e4\u300d(Mono-ha and Attitudes)\u5c55\uc744 \uac1c\ucd5c\ud569\ub2c8\ub2e4.\r\n\r\n\uc774\ubc88 \uc804\uc2dc\ub294 \uac19\uc740 \uc81c\ubaa9\uc758 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10\uc5ec \uc810\uc774 \ucd9c\ud488\ub420 \uc608\uc815\uc774\ub2e4.\r\n\r\n\ub9ce\uc740 \uad00\uc2ec \ubc14\ub78d\ub2c8\ub2e4.","press_en":"Gallery Shilla Daegu will hold \u300cMono-ha and Attitudes\u300d from September 1st to October 15th, 2022. \r\n\r\nThis exhibition is held to inform and introduce the publication of \u300eMono-ha and Attitudes\u300f, a multilateral research book with the same title, which is significant in that it is the first publication of a multilateral research book published in Korea. This study, which was planned with young researchers at home and abroad as the main axis, is a research book composed by researchers in art history, art philosophy, and criticism, as well as artists who share the humanistic values and critical mind that Mono-ha has. The publication is scheduled to be at the end of October 2022 with the main purpose to understand and check the attitude toward mono-ha from today's point of view and find our attitude toward aesthetics and art. \r\n\r\nMono-ha is a Japanese art movement led by artist U Fan Lee, which combines natural and industrial materials such as stone, iron plate, glass, light bulb, cotton, sponge, paper, wood, wire, rope, leather, oil, and water. It has been focusing on detailed work that explores everyday encounters and rearranging them in spaces and situations as they are. It reconsidered traditional art methodologies, looked critically at contemporary artists, and as an alternative to them, explored the possibilities of art in the relationship between people and objects encountered in daily life. Since its birth in the late 1960s, Mono-ha has been recognized as an indispensable major art movement in the global contemporary art world beyond East Asia. \r\n\r\nThe participating artists in this exhibition include Quac In Sik, who presented important concepts of Mono-ha even before the birth of Mono-ha and served as an example to his juniors, and Lee U-fan, who laid the theoretical foundation for Mono-ha through deep reflection and criticism on Mono-ha artists and works. Mono-ha writers Katsuhiko, Sekine Nobuo, Kishio Suga, Takamatsu Jiro, who had a great influence on Mono-ha writers, and Joseph Love, a critic and writer who interpreted Mono-ha, along with archive materials about Mono-ha will be exhibited. \r\n\r\nIn this exhibition, Kishio Suga's drawings and sculptures from the 1990s, Sekine Nobuo's gold paintings, Takamitsu Jiro and Lee U Fan's prints, Quac In Sik's works from the 1960s, 70s, and 80s will be exhibited. About 10 charcoal drawings by Katsuhiko Narita, who has raised awareness in the contemporary art world will be exhibited. \r\nThank you for your interest.","source":"","date_label":"","external_url":"","publication_date":"","isbn":"","price":"","dimensions":"","weight":"","pages":"","credit":"","authors":"","description":"","kind":"","contact_html":"","portrait":0,"hero":2014,"biography_pdf":0,"press_pdf":0,"document_pdf":0,"cover":0,"artist_id":0,"inquiry":false,"works":[{"id":2023,"caption":"","alt":""},{"id":2024,"caption":"","alt":""},{"id":2025,"caption":"","alt":""},{"id":2026,"caption":"","alt":""},{"id":2027,"caption":"Collection of Pyo Gallery","alt":"Collection of Pyo Gallery"},{"id":2028,"caption":"Collection of Pyo Gallery","alt":"Collection of Pyo Gallery"},{"id":2029,"caption":"","alt":""},{"id":2030,"caption":"","alt":""}],"installation":[{"id":2015,"caption":"","alt":""},{"id":2016,"caption":"","alt":""},{"id":2017,"caption":"","alt":""},{"id":2018,"caption":"","alt":""},{"id":2019,"caption":"","alt":""},{"id":2020,"caption":"","alt":""},{"id":2021,"caption":"","alt":""},{"id":2022,"caption":"","alt":""}],"extra":[],"participants":[{"id":0,"name_ko":"","name_en":"Mono-ha and Attitudes"},{"id":0,"name_ko":"Quac In Sik","name_en":""},{"id":0,"name_ko":"Lee U Fan","name_en":""},{"id":0,"name_ko":"Kishio Suga","name_en":""},{"id":0,"name_ko":"Jiro Takamatsu","name_en":""},{"id":0,"name_ko":"Narita Katsuhiko","name_en":""},{"id":0,"name_ko":"Sekine Nobuo","name_en":""}]},"footnotes":""},"class_list":["post-119","gs_exhibition","type-gs_exhibition","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition"}],"about":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/types\/gs_exhibition"}],"version-history":[{"count":2,"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/119\/revisions"}],"predecessor-version":[{"id":3485,"href":"https:\/\/galleryshilla.com\/index.php?rest_route=\/wp\/v2\/gs_exhibition\/119\/revisions\/3485"}],"wp:attachment":[{"href":"https:\/\/galleryshilla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}